Exploring Career Transitions of Megan Zehmer’s, Artistic Vision, and the Cinematic Tapestry of ‘Good Grief’: A Producer’s Tale
Megan Zehmer’s career evolution from a public relations expert to an accomplished film producer is a narrative of adaptation, growth, and the continuous quest for new challenges. Her work on the television series “Schitt’s Creek” contributed to its critical acclaim and served as a catalyst for her foray into the world of film production. With Dan Levy at the helm, Zehmer embarked on her debut movie project, “Good Grief,” a story steeped in the complexities of loss and self-discovery.
Early Beginnings and “Schitt’s Creek”
Zehmer’s journey began in the relatively modest surroundings of a shared Los Angeles office with Levy, far from the grandeur they would later experience in Paris. These humble beginnings were the foundation of what would become a formidable professional partnership. As “Schitt’s Creek” grew from a cherished Canadian sitcom to an international sensation, culminating in a historic Emmy sweep, Zehmer found herself at the confluence of opportunity and ambition. This momentous success paved the way for her segue into producing.
The Making of “Good Grief”
“Good Grief” is a poignant reflection on mourning and the unexpected turns it can take. Set primarily in Paris, the film follows Marc, portrayed by Levy, as he grapples with losing his husband, Oliver. The narrative unfolds with Marc’s friends, played by Himesh Patel and Ruth Negga, joining him for a transformative weekend in the City of Light. The film, which is slated for a premiere on Netflix, promises to take viewers on an emotional yet enlightening journey through the heart of Paris.
Authenticity in Location
In an interview with The Hollywood Reporter, Zehmer delved into the decision-making process behind the film’s locations. She emphasized the importance of authenticity, stating that Paris, with its iconic landmarks and indelible charm, could not be replicated elsewhere. The script demanded the genuineness of the Parisian backdrop—specifically locations like Musée de l’Orangerie, the Paris Ferris Wheel, and Pied de Cochon—to truly resonate with audiences.
Challenges on the Paris Ferris Wheel
One of the most significant challenges Zehmer faced was securing the Paris Ferris Wheel for filming. The Ferris Wheel, constructed only twice a year, became a logistical puzzle. After narrowly missing its assembly during their London prep time, the team had to meticulously plan the shoot to coincide with its next availability. The constraints of shooting amidst an active Christmas market added to the complexity, requiring discrete filming and precise timing to maintain continuity.
Cameos and Cultural References
The film features notable cameos from Kaitlyn Dever and Emma Corin, which Zehmer described as being more than mere stunt casting. These appearances were intended to add layers to the film’s story, with Dever’s character providing a satirical yet poignant perspective on grief and celebrity culture. Her real-life friendship with Levy facilitated Corin’s role as a performance artist, ensuring an organic fit within the film’s universe.
Zehmer also touched upon the inclusion of a clip from “Real Housewives of New York” in “Good Grief.” Selected after a meticulous process, the clip was meant to echo the film’s themes and provide a cultural touchstone that paralleled the story. Zehmer’s personal enthusiasm for the reality series helped to shape this creative choice, infusing the film with a layer of contemporary relevance.
The film is a mature-themed drama, a category that isn’t currently the go-to for Hollywood productions. Moreover, Dan had become synonymous with comedies after his time on Schitt’s Creek. When it came to managing expectations, the realization that this project defied simple categorization became apparent during the initial script read-through. Dan was under a lot of pressure, given his success with Schitt’s Creek, and he was eager to showcase his broader talents without being typecast.
Netflix was a strong pillar of support throughout the filmmaking process, which was a bold move on their part. It’s always commendable when industry players don’t take the easy route of exploiting an artist’s previous successes for commercial gain. For Dan, venturing into a new genre must have been daunting, especially with a proven track record in a specific style of comedy.
Megan Zehmer’s path from a PR professional to a film producer exemplifies the notion that embracing change and leveraging one’s existing skills. “Good Grief” stands as a testament to her growth in the industry and her commitment to storytelling that resonates with authenticity and emotional depth. As audiences prepare to experience the film, Zehmer’s behind-the-scenes insights offer a glimpse into the meticulous craft of producing a movie that is as true to life as it is to the heart of its setting.
